What Ho World deck printing update

Posted Posted in Design Diary, What Ho World

What ho,

Production is still moving apace on What Ho World – it’s nice to see it getting progressively closer to completion!

What Ho World deck proof

I got my physical copy of What Ho, World! from DriveThruCards today. Overall I’d say I’m very happy with it, especially as what little damage there was from its shipping to me won’t be an issue with the method I’m using to ship it to you. Here are some pictures:

 

Rulebooks

One of the effects of going with DriveThruCards for printing is that I had to adjust the deck size to 90 cards instead of 100. With the smaller deck size, I wasn’t able to fit as much of a rules explanation as I’d like in the cards in the deck. To augment that, I’m trying out online manuals with links to them on the deck’s cards. I’ve made one for What Ho, World! and one for Wizards Aren’t Gentlemen. Give them a look and let me know what you think!

What Ho World: Playtest Report

Posted Posted in What Ho World
It was the introductory meeting for Oxford University RPG society today, which gave me a great opportunity to see how people who never roleplayed before enjoyed What Ho, World. Overall, it was very positive! We spent a lot of the session laughing, and every character had a fun plotline. We had a blackmailing butler accumulating a hoard of antiques so he could sell them all and retire to the country, a general winning a golf tournament by default after arranging for his rival to suffer a clothing malfunction, and a pioneering inventor trying to sweep the country’s theatres with his one-man orchestra.

System feedback was less positive. It’s clear that the procedure of play needs a lot of tightening up and quite a bit of simplifying. With:

  • 8 moves per player with multiple options.
  • 4 different token types.
  • A scene framing procedure that forces you to choose 2 of 4 detailed entries every scene.
  • Goals to build up progress towards.

…it’s just all a bit unwieldy in play. I initially thought I needed to gut whole sections of the game, but I think I’ve found a way to keep most things intact while reframing certain elements so they work better. The first thing to try is giving a player a single discard pile rather than tracking per-move card spends. I’m also going to really simplify the scene framing procedure and make sure that when I give a player a choice it really matters rather than slowing down play. Fingers crossed it makes a better game!

Still, it was a fun time, and it’s a really encouraging sign that the game can produce that experience with 4 people who’ve never roleplayed before. It’d be great to hear how it goes when I’m not there to nudge things along, but my ability to arrange those playtests is limited – not many people willing to print off an entire deck for a game that isn’t even finished!

Legacy: Mirrors in the Ruins out!

Posted Posted in Uncategorised

Hi all,

Legacy: Mirrors in the Ruins is now out!  We’re going with an Advance PDF system for this release: we’re holding off on activating print-on-demand until early customers have had a chance to flag any issues with the book. In return, everyone who buys the game in its first month will get a discount when purchasing the physical book.

Mirrors in the Ruins brings a different perspective to Legacy by placing players in the role of the monsters that live in the wasteland – the robot swarms, alien invaders, mutated animals and aquatic raiders that normally take the role of antagonists in post-apocalyptic stories. Even monsters must struggle to survive in the wasteland, so what happens when they clash with human survivors? Will they find a new way of existing together in this altered world, or will they repeat the mistakes that lead to the Fall?

As well as 8 new playbooks – 4 Families and 4 characters – Mirrors brings new Family moves covering subterfuge and conspiracy, rules for hostile environments, vehicles and non-player factions, and Mega Projects. These grand schemes may be built over several Ages, and permanently change the Wasteland once completed. There’s a lot to see in this book – I hope you check it out! Many thanks to Douglas Santana, whose ideas and words were crucial to making this book.

Legacy: Mirrors in the Ruins coming soon!

Posted Posted in Legacy

Mirrors in the Ruins

We’ve just sent the (hopefully) final PDF of Mirrors in the Ruins to playtesters – assuming no huge errors are found, you should be able to get your hands on it within the week!

As a reminder, it includes:

8 playbooks, showing the perspective of the inhuman things that haunt the wasteland. Each ‘type’ of creature – uplifted animals, raiders from the depths, robot swarms, and stranded aliens – comes with a family and character playbook, which can be freely mixed and matched with existing Legacy playbooks.

Mega-Projects: Civilisation Wonder-style grand projects Families can embark on to change the face of the wasteland.

A new stat for Families: Sleight. Sleight allows you to hide your family’s actions, conspire in secret, and protect yourself from espionage. The playbooks in Mirrors give the game a bit more of an antagonistic cast, so we decided to add this stat as an optional tool to flesh out conflicts between families and NPC factions.

Play advice for all the above!

I’ll post here when it’s out, but am happy to answer any questions you have in the meantime!

What Ho, World! in its final 48 hours

Posted Posted in Uncategorised

Only 48 hours left on the kickstarter for What Ho, World! We’re past 150% funded, which is amazing – I’m really looking forward to getting this game printed and having a proper physical copy in my hands.

If you’ve managed to avoid my endless promotion of the game over the past month, What Ho, World! is a hybrid roleplaying game/card game based on the genteel, free-wheeling and farcical stories of P.G. Wodehouse, Fred and Ginger musicals and so on.

Over the course of a 2-hour game, you’ll make characters like the naive but well-meaning Gadabout and the stoic and wise Servant, be tasked with challenges like retrieving an embarrassing document or ridding yourself of a small but annoying dog, and call on the gossip of your fellow servants or an unexpected cosh to save the day. It’s all based on the Apocalypse World school of RPG design – discrete chunks of rules for particular situations in the story that only get involved as much as they need to then get out the way again. I’ve heavily modified the system, removing dice rolls or a GM so that the deck of cards is all you need to play.

It’s a fun, light group storytelling game that I’m really happy with – please do check it out!

We went to Nine Worlds Fanfest, and so should you

Posted Posted in Personal

This weekend we went to Nine Worlds Fanfest in London. Here’s my thoughts immediately following, as a fan and as a creator:

As an attendee:

The entrance to the con

This con really demonstrated the best sides of fandom – people experiencing earnest joy in whatever their fandom means to them, while being mature enough in their perspective to have conversations about how it could fall short. Plus, everyone was just so respectful and interested in what other people had to say. They really promoted a feeling of equality: even when writers/creators were on a panel, it didn’t have that feeling of superiors and supplicants you can get at other cons; instead, you felt like these were peers of yours who were worth listening to due to their experience in the subject.

Highlights:

  • Seb Atay‘s talk on the implied narrator/implied author in games was an interesting application of literary criticism to computer games in a way I hadn’t considered.
  • Grant Howitt running Dr. Magnethands for a big room of increasingly drunk superheroes and villains. I got to play Postman Pat in deep cover on the moon, and what more can you really ask for?
  • The costumes were amazing! I think my own Jesse Custer was a bit too subtle to be recognisable, but I was happy to give over my costume chips (also a very cool idea) in recognition of a hand-knitted dalek dress, a superbly-executed WicDiv Lucifer, and an ambulatory bowl of petunias.
  • Getting recommendations for stuff outside my experience and comfort zone, both on the Chinese SF panel and the comics recommendation panel.
  • Nine World’s commitment to diversity and inclusion. Gender-neutral bathrooms, quite spaces, badge labelling for pronouns and willingness for interaction, and a constant awareness of the accommodations they may need to make to ensure all sorts of people fully enjoy the con. Really a glimpse of a better way of being.

Lowlights… pretty few, to be honest. The hotel’s food was overpriced and a bit poor, and it was a shame the final quiz filled up 15 minutes before it started and they had to turn people away – we were really looking forward to it and it meant our con basically fizzled out. Apart from that it was wonderful and we’re strongly considering coming back next year.

As an exhibitor:

Our table at the start of the expo on Saturday
Our table at the start of the expo on Saturday.

It was our first con to sell at, and there were big lessons to take forward.

Printing

We should have printed more stuff! We ran out of physical copies of Legacy: Life Among the Ruins and Ultranormal Encounters, and I’m sure we would’ve sold out of Echoes of the Fall if there were copies of the core book to sell with it. We got some good advice that it’s perfectly fine to overproduce: that way you need to do less work next con.

Book Ratios

Nobody wants to buy expansions without the core. Obvious in hindsight, right? We brought equal numbers of the core book and Echoes, and that was a mistake. For future cons, I think we’ll bring half again as many copies of Legacy as we do Echoes (and Mirrors I suppose).

PDFs: Great for physical stores

Selling PDFs worked really well. We had a sheet of labels with a DriveThruRPG discount code on them, and stuck those to UFO Press business cards (or inside books if people bought the book+PDF combo). Of our customers that bought a book, about 40% topped it up with PDFs, and 1/3rd of our sales were PDF-only.

Representation matters

It really reinforced my commitment to attractive and diverse art. I’d printed out a set of Legacy playbooks and laid them out on the table, and they were often the first thing someone looked at when they came up to our table. There were some very kind words about the diversity of the art, and I’m reminded of something Keiron Gillen said at the Dragons and Diversity panel: diversity isn’t an obligation for creators, but an opportunity. People’s reactions to seeing themselves as heroes in my game’s art where they had been ignored by other games made it completely worthwhile, and was legit one of my highlights of the con.

What are people looking for?

A lot of people reacted better to being pitched a group storytelling game than a dice-and-GM roleplaying game. Similarly, I got many comments that it was nice to have a post-apocalyptic game with more of a positive slant. A lot of this is due to the particular demographic at the con, I bet, but it’s got me thinking how to reach out to people outside of standard RPG venues who might have been put off by bulky rulebooks and grimdark settings. Cons, I guess, are a big part of that, but I’d be interested to hear about other suggestions.

Kickstarter backers are real people you can talk to

London has a lot of Legacy Kickstarter backers! Quite a few people came up to the booth after recognising Legacy as a game they’d backed, and it was great to reconnect with them and hear their stories of playing the game (or discussing how hard it is to get through a pile of Kickstarter rewards). Plus I got to hear about a London Indie RPG meet up that sounds fun and I’ll try and check out.

Selling as a supplement to the con experience

I don’t think I’d want to sell for the whole con; even if that got me 3x the sales it wouldn’t be enough to break even when the hotel fee, vendor fee and book printing are factored in. As a thing to do as part of a con I was already planning on attending, though, it let me jump between the creator and fan sides of the con and see what it’s like on either side of the line, get the word out about UFO Press and our games, and pay for the book printing and con tickets with a bit of money to spare. I can’t see us turning a profit on cons we go to for quite a while, so we’ll likely still only go to cons that have stuff we’re interested in going to and experiencing, but if you’re in a similar position I can’t recommend Nine Worlds highly enough.

Guest Post: Talking Legacy

Posted Posted in Legacy, Play Advice

Douglas Santana Mota, main author of the upcoming Mirrors in the Ruins, wanted to talk a little about the lessons he’s learned running Legacy. More GM advice is one of the regular requests I get for a revised version of Legacy, so I thought I’d give him a place to talk. Take it away, Douglas!

Running With Mirrors tinyWe all look for novelty and quality, to experience something truly different. But sometimes when we find it we end up overwhelmed by the unfamiliar and fail to relate to it exactly because it doesn’t fit our preconceptions, our usual shared experiences.

Legacy offered me this novelty like few others games before. But I must confess: my first session blew. Really, it stunk. I narrated and we played like any other game from our shared experience. It wasn’t enough. It wasn’t right. So, I experimented and developed procedures to make the most of Legacy epic-friendly rules and singular pace. Here it is the little I learned so far:

Family First

Let’s start with the obvious: who are Legacy’s protagonists? The families, right!? After all, they remain Age after Age as the linchpins of your story. So, try starting your sessions with a round of Family moves. Once all the rolls are resolved you will have enough immediate plot threads to weave into Character scenes. Let them lessen the damage of a failed Family roll… or just feel its effects on a personal level. Drop them in the thick of action of good Family rolls too, putting their abilities to good use and greater effect.

From this Family-centered beginning you can then explore the Characters and their motivations and inter-relations, just as in any of your favourite and familiar games. But as soon as the Character Scenes feel somehow resolved, don’t dally and shift focus right back to Families.

  • Tip: remind and encourage players to Lend Aid. It will make framing scenes with Characters in a group that much easier.
  • Tip: teach your players that Character actions focus in minutes and hours, while Family focus in days and weeks.
  • Tip: always remember that Characters serve their Families… and not the other way around.

Resources Tell Stories

There’s a reason Surpluses and Needs are in the History section of Family Playbooks. Give them some thought: who does your Family have to get Revenge from? What happened so they need Medicine? If you have a Surplus of Leadership, tell us about who these leaders are.

Connect these threads with other Families’ too and a whole recent backstory will unfold. Exploit it for maximum effect. Moreover, let’s say a Family Erases Progress to save a failed Claim by Force roll. Ask the players what kind of sacrifice had to be made by the Family to justify in Fiction this move. Make it relevant. Make it personal. Engage other parties. Powerful scenes lie hidden in these simple Resources moves.

Factions Have Faces

It’s important to populate the Homeland (and the Wasteland) with memorable faces so that Characters interact with a rich and varied supporting cast. Pay attention to variety and going outside stereotypes, so your cast is not only comprised of the leaders of their factions and settlements but also warleaders, firebrands, lawmen and priests in surprising combinations; say, the barbaric raiders’ priest or the warleader of the scientist enclave, and so on.

  • Tip: you know you want them to be fearsome, beautiful, wise, etc. but what makes them so can be easily prompted by the players, increasing collaboration and immersion.

Legacy Scope

Think of History with a capital H. Your players’ Families are the proto-nations of the future, the building blocks of a new world. The sessions and scenes might have lighter tones, but never forget they should be relevant and charged events, such as brutal conquest of the New World, the Apollo program and the space race, or WW2, with all its dramatic consequences, epic conquests and failures, bitter rivalries and surprising betrayals.
Even small skirmishes should have high stakes – imagine that people studying about them in the far future should be surprised that so much was decided by such meagre forces. Every Tech found should point to a discovery as important as penicillin or the astrolabe for whatever is left of Mankind.

Lastly, consider if our species is on the verge of collapse or extinction – and paint this theme in stark strokes. Otherwise, if the Homeland people is simply stranded somewhere, answer what have happened to everyone else in the world or the universe; where are they and why have they not yet sent sorely needed rescue?

  • Tip: after the Turn of Ages ask players how the events of the previous Age impacted in their new Characters lives. Where were they when pivotal events took place? Have they ever met the previous Character?
  • Tip: remember important victories and achievements through holidays and festivals in future Ages. Monuments to alliances, resistances, triumphal returns and victories celebrate Characters and their deeds, keeping perspective of the importance of their actions.

Time Lapses

Conventional games always surprise me with the amount of pain, horror and shock characters undergo on a daily basis. I remember that Pendragon was the first game I read where there would be longs periods of regular life in between adventures, keeping adventure events wondrous and strange, and pregnant with long lasting consequences. Legacy benefits from the same approach due to its broader scope.

Regarding Turns of Ages, I recommend one of two options: first, you have frequent Turns with shorter lapses of time for a very dynamic Family story, where you end up with veteran Characters who may have lived through more than one Age. The other option is longer lapses of time between Ages with Turns somewhat rare, for a grander tale of epic Character choices and drastic Family development. You can even change from one to the other over the course of your chronicle, to emphasise different moments and dilemmas. Always decide as a group the length of time in between Ages.

  • Tip: make use of relations between Characters from one Age to the other. Say you have a Promethean, who created next Age’s Borg. Or a Hunter who lived long enough to become an Elder. Or a powerful Remnant, who keeps coming back, Age after Age.

Hands on Maps

During the setup, tell players to draw on the the elements from the world Before, signs of the Fall, and settlements. This is a hands on and engaging activity, so no mysteries here. The map is probably the GMs best friend to set up a good Legacy chronicle.

  • Tip: instruct them to show in boundaries the growth of faction’s power and influence.
  • Tip: re-draw maps as the Ages Turn, changing the scales to show the extent of new territories claimed and discovered.
  • Tip: use colors to highlight shifting alliances and the weight of Treaties.